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<channel>
	<title>vincent masson</title>
	<link>https://vincentvincent.fr</link>
	<description>vincent masson</description>
	<pubDate>Mon, 05 Jan 2026 13:31:38 +0000</pubDate>
	<generator>https://vincentvincent.fr</generator>
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		<title>GEODE</title>
				
		<link>https://vincentvincent.fr/GEODE</link>

		<pubDate>Mon, 05 Jan 2026 11:00:49 +0000</pubDate>

		<dc:creator>vincent masson</dc:creator>

		<guid isPermaLink="true">https://vincentvincent.fr/GEODE</guid>

		<description>LA GEODE

&#60;img width="2682" height="1774" width_o="2682" height_o="1774" data-src="https://freight.cargo.site/t/original/i/d781f2dc61b7e643bb8a008ecb60b0a772e53876d69e1171e3e3d349a6114744/Screenshot-2026-01-05-at-11.25.12.png" data-mid="242443412" border="0"  src="https://freight.cargo.site/w/1000/i/d781f2dc61b7e643bb8a008ecb60b0a772e53876d69e1171e3e3d349a6114744/Screenshot-2026-01-05-at-11.25.12.png" /&#62;AMPLIFYING THE IMMERSIVE CINEMATIC EXPERIENCE
Multimedia Direction at MOMENT FACTORY2024


	Pathé, a leading film production and distribution company and movie theatre operator in Europe, wanted to strengthen the identity of the Géode, the iconic sphere at the Cité des sciences et de l’industrie in Paris. It commissioned Moment Factory to create a multimedia experience that plunges visitors into an immersive cinematic experience for the entire duration of their visit.&#38;nbsp;As soon as they enter the lobby, visitors are treated to a multimedia experience that combines projection mapping and spatialized sound, immersing them in different cinematic universes inspired by three major film genres: fantasy, science fiction and adventure. A mysterious forest that turns into an awe-inspiring dream. An interstellar voyage to explore unknown galaxies. A solar desert in search of lost civilizations.
 



















	In the projection room, a trompe-l’œil video offers visitors a unique 360-degree view of Parc de la Villette, both day and night, amplifying the sensory experience before the film begins. 

Produced with technical support from Novelty, this collaborative project celebrates the Géode’s identity as a place of innovation and wonder. It also illustrates the potential of multimedia to creatively reinvent the visitor experience at these iconic sites.
VIDEO


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		<title>BFO</title>
				
		<link>https://vincentvincent.fr/BFO</link>

		<pubDate>Thu, 23 Oct 2025 11:37:07 +0000</pubDate>

		<dc:creator>vincent masson</dc:creator>

		<guid isPermaLink="true">https://vincentvincent.fr/BFO</guid>

		<description>BIG FLO &#38;amp; OLI, LES AUTRES C’EST NOUS TOUR

&#60;img width="2290" height="1528" width_o="2290" height_o="1528" data-src="https://freight.cargo.site/t/original/i/2a758ebf241170545884f5071446f299c58531ffa3b30e8116caacbaed99d54d/Moment_Factory_Concerts_Bigflo_Et_Oli_2571-WS.png" data-mid="239781236" border="0"  src="https://freight.cargo.site/w/1000/i/2a758ebf241170545884f5071446f299c58531ffa3b30e8116caacbaed99d54d/Moment_Factory_Concerts_Bigflo_Et_Oli_2571-WS.png" /&#62;Multimedia Direction at MOMENT FACTORY2023


	Creative direction in collaboration with the artists, for a show that’s spectacular and personal all at once.Bigflo &#38;amp; Oli are back with a bang and a new album, Les autres c’est nous, followed by a tour of more than 60 dates in the French-speaking world’s most famous venues, concert halls, and sports arenas. Bigflo &#38;amp; Oli’s producer, Bleu Citron, has commissioned Moment Factory to work with the duo on the creative direction for the 2023 Les autres c’est nous Tour along with producing stage design, lighting, and video content. Moment Factory’s Paris studio team immersed itself in the duo’s artistic world to bring its vision to the stage.



















	The original idea was to create a memorable show to celebrate the two brothers’ comeback with a mature and personal approach. The artists wanted a show that was both spectacular and personal so as to share memories, intimate moments, and more festive moments with their audience.

Moment Factory put forward the concept of search software, which, like a thread, can be used to share content, including previously unseen archive footage as a medley of their old music videos. As for stage design, the cube from their Sacré Bordel video was used as a key physical prop. This dynamic backdrop serves as a showcase for the rappers and their musicians, cleverly punching up the show’s high points.



	
	
	



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		<title>MOET &#38; CHANDON</title>
				
		<link>https://vincentvincent.fr/MOET-CHANDON</link>

		<pubDate>Mon, 05 Jan 2026 13:31:38 +0000</pubDate>

		<dc:creator>vincent masson</dc:creator>

		<guid isPermaLink="true">https://vincentvincent.fr/MOET-CHANDON</guid>

		<description>MOET &#38;amp; CHANDON

CELEBRATING 280 YEARS OF EFFERVESCENCE&#60;img width="2792" height="1844" width_o="2792" height_o="1844" data-src="https://freight.cargo.site/t/original/i/dd90473de0c6c445de40e59cb4ed5776a1adb934282f2950faa771b7d2d517aa/01.png" data-mid="242449793" border="0"  src="https://freight.cargo.site/w/1000/i/dd90473de0c6c445de40e59cb4ed5776a1adb934282f2950faa771b7d2d517aa/01.png" /&#62;
Multimedia Direction at MOMENT FACTORY2022


	Guests at the Paris edition of Moët &#38;amp; Chandon’s signature savoir-fête series entered a world of effervescence brought to life with multimedia.In the heart of Paris, renowned champagne house Moët &#38;amp; Chandon chose the Palais Brongniart as the surprise setting for a soirée in anticipation of its 280th anniversary. To produce a luxurious ambience fit for the occasion, event agency Black Lemon invited Moment Factory to bring the brand’s “Effervescence” concept to life through the magic of projection mapping, digital content, lighting, and sound.
 














As guests entered the monumental space, particles of light danced across arches and cascaded down columns. Roger Federer, Natalie Portman, and Vincent Cassel were among those on hand as President and CEO Berta de Pablos-Barbier took the stage to make a toast. As glasses chinked, botanic themes inspired by Moët’s campaign artwork unfolded across the hall, amplifying the celebration.





	&#38;nbsp;From culinary service to live performance, guests were transported through the evening’s programming with ambiences designed to shape the mood. Digital content inspired by Moët’s Rosé Impérial made the space glimmer in hues of pink for a performance by Belgian pop star Angèle. Then, an illustrious gold swept the space as disco icon Gloria Gaynor burst into an explosive rendition of “I Will Survive.” For the finale, the palatial venue was transformed into a nightclub for a set by DJ Kungs. In all, Moment Factory’s multimedia programming helped to evolve the space with the growing energy of the evening.
VIDEO


	
	



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	<item>
		<title>WTTOS</title>
				
		<link>https://vincentvincent.fr/WTTOS</link>

		<pubDate>Sat, 09 Jan 2021 20:09:48 +0000</pubDate>

		<dc:creator>vincent masson</dc:creator>

		<guid isPermaLink="true">https://vincentvincent.fr/WTTOS</guid>

		<description>JEAN-MICHEL JARRE’S WELCOME TO THE OTHER SIDE

&#60;img width="3000" height="1300" width_o="3000" height_o="1300" data-src="https://freight.cargo.site/t/original/i/a70eefc1774376bc9c22fa9204e979111890d0e515763c1d1a1597f6a9199dd4/Poster-prix_04_00000.jpg" data-mid="107256938" border="0"  src="https://freight.cargo.site/w/1000/i/a70eefc1774376bc9c22fa9204e979111890d0e515763c1d1a1597f6a9199dd4/Poster-prix_04_00000.jpg" /&#62;


VR live concert _Vrchat, Youtube, BFM TV, France Inter, Facebook, TikTok, Weibo.
Creative director 3D / Art director Poster &#38;amp; Avatar:

Vincent Masson




Creative director Façade, Lights &#38;amp; 2D content: Jvan Morandini
Head developpers: Antony Vitillo


Developpers:&#38;nbsp;
Lapo Germasi, Viktor Pukhov


Realisation VR: Georgie&#38;nbsp;
Molodtsov , Maud Clavier
Design and mocap avatar: Sowhen?
Production: VRrOOm2021


	“
Jean-Michel Jarre brings in the new year with 75 million viewers (...)”.



Welcome To The Other Side took place on New Year’s Eve, produced in 
partnership with VRrOOm, the City of Paris and under the patronage of 
UNESCO – becoming the official midnight image and countdown from Paris. 
The impressive viewing figures continue to grow as the whole event is 
available to replay online.

Jean-Michel Jarre took us into the New Year with a live-stream 
trailblazing concert-spectacular set in the virtual environment of the 
planetary landmark Notre-Dame de Paris. The live show combined life-like
 concert visuals in VR with a real live studio performance. 
The 
groundbreaking production left many viewers wondering which parts were 
real, and which were virtual.
So far, the concert has been seen by
 75 Million viewers and virtual partygoers from around the world, taking
 in viewing figures from multiple platforms including VR platforms 
VRChat and Oculus Venues, national and international TV and radio, 
social media platforms such as Facebook, YouTube, Twitter, Weibo, 
Bilibili and Douyin. The European Broadcasting Union (EBU) made the 
event available to their national TV and radio partners around the world
 free of charge.Jean-Michel Jarre performed live from Studio Gabriel near the cathedral 
in Paris, while his avatar played inside a virtual Notre-Dame. 
The 
50-minute concert, featuring tracks from Jarre’s most recent album 
Electronica, as well as new reworked versions of his classics, Oxygène 
and Equinoxe – gave the world a virtual inside look at the legendary 
landmark in a futuristic and festive way.

Created, designed and produced in record-breaking 3-months, the 50 
minute mixed-media project gathered a team of one hundred artists and 
technicians to recreate Notre-Dame de Paris and achieve a masterpiece 
blending an array of formats and skills.

For ‘Welcome to the Other
 Side’ Jarre’s visionary creativity partnered with VRrOOm’s VR designers
 and developers to create a concert-spectacular that is nothing short of
 his benchmark outdoor performances and above all a milestone today in 
setting new standards for music entertainment tomorrow.









PRESS: (World)



THE TIMEShttps://www.thetimes.co.uk/article/jean-michel-jarre-the-electro-whizz-of-notre-dame-qnhqszzp5

LA WEEKLYhttps://www.laweekly.com/music-pick-livestreaming-jean-michel-jarre/





 

RESIDENT ADVISORhttps://ra.co/events/1433258
TIME OUThttps://www.timeout.com/things-to-do/best-online-nye-new-year-events-virtual-streaming


NEW YORK TIMEShttps://www.nytimes.com/2020/12/31/world/here-are-some-ways-you-can-see-off-the-year-virtually.html














	PRESS: (France)


TRAXMAGhttps://www.traxmag.com/concert-jean-michel-jarre-notre-dame-75-millions-personnes/




HUFFPOSThttps://www.huffingtonpost.fr/entry/un-double-de-jean-michel-jarre-le-31-decembre-a-notre-dame_fr_5fcf7a12c5b626e08a2cf5b5?utm_hp_ref=fr-jean-michel-jarre
CONNAISSANCE DES ARTShttps://www.connaissancedesarts.com/monuments-patrimoine/notre-dame-paris/notre-dame-de-paris-fetez-le-nouvel-an-dans-la-cathedrale-avec-un-concert-virtuel-de-jean-michel-jarre-11150612/

FRANCE INTERhttps://www.franceinter.fr/emissions/l-invite-de-7h50/l-invite-de-7h50-28-decembre-2020


LE PARISIENhttps://www.leparisien.fr/culture-loisirs/jean-michel-jarre-faire-revivre-notre-dame-pour-la-saint-sylvestre-est-un-defi-extraordinaire-30-12-2020-8416667.php

LE FIGAROhttps://www.lefigaro.fr/musique/jean-michel-jarre-envoie-son-avatar-dans-notre-dame-reconstituee-20201227
FRANCE INFOhttps://www.francetvinfo.fr/culture/musique/electro/pour-le-nouvel-an-jean-michel-jarre-donnera-un-concert-en-realite-virtuelle-dans-notre-dame-numerisee_4211793.html

FRANCE BLEUhttps://www.francebleu.fr/infos/culture-loisirs/nouvel-a-paris-concert-de-jean-michel-jarre-en-realite-virtuelle-dans-notre-dame-numerisee-1607441531
FRANCE 24https://www.france24.com/fr/culture/20210101-jean-michel-jarre-fait-danser-notre-dame-en-r%C3%A9alit%C3%A9-virtuelle
BFM TVhttps://www.bfmtv.com/societe/nouvel-an-le-concert-de-jean-michel-jarre-dans-une-cathedrale-notre-dame-virtuelle-a-suivre-sur-bfmtv_VN-202012310148.html




L’OBShttps://www.nouvelobs.com/topnews/20201228.AFP3897/guetta-jarre-patti-smith-reveillon-au-son-du-livestream.html








	
	
	



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</description>
		
	</item>
		
		
	<item>
		<title>LA VALLÉE</title>
				
		<link>https://vincentvincent.fr/LA-VALLEE</link>

		<pubDate>Wed, 10 Jan 2018 13:35:28 +0000</pubDate>

		<dc:creator>vincent masson</dc:creator>

		<guid isPermaLink="true">https://vincentvincent.fr/LA-VALLEE</guid>

		<description>LA VALLÉE


&#60;img width="3000" height="1246" width_o="3000" height_o="1246" data-src="https://freight.cargo.site/t/original/i/14f07941031f7bfa14e0e1c7d32244b7692a28aa704dcc3ab618d6e23309d5a6/LA-VALLEE_01.png" data-mid="29184334" border="0"  src="https://freight.cargo.site/w/1000/i/14f07941031f7bfa14e0e1c7d32244b7692a28aa704dcc3ab618d6e23309d5a6/LA-VALLEE_01.png" /&#62;

	

Installation and virtual realityIn progress
2020

La Vallée is a 3 parts virtual reality experience, currently in progress.

This project is interested in the notion of disappearance across the spectrum of contemporary society.

The term evaporated - Johatsu - refers in the Japanese collective imagination to the fate of individuals come to the hot springs to shed their past before
«reborn» elsewhere.

La Vallée addresses this notion of social evaporation and issues related to our era: the paradox of loneliness due to over-interaction with the other,
the complexity of being realized in a system where the individual and his image tend to to confuse, the need for man to understand scales and limits
while these are abolished by the digital and virtual revolution ...
 



&#60;img width="2500" height="1038" width_o="2500" height_o="1038" data-src="https://freight.cargo.site/t/original/i/3e6a178ac7d93fc780479c7393e137eb17f479cde7b14865df304913f12eeff2/LA-VALLEE_00609.jpg" data-mid="29128876" border="0"  src="https://freight.cargo.site/w/1000/i/3e6a178ac7d93fc780479c7393e137eb17f479cde7b14865df304913f12eeff2/LA-VALLEE_00609.jpg" /&#62;

	


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</description>
		
	</item>
		
		
	<item>
		<title>ALONE TOGETHER</title>
				
		<link>https://vincentvincent.fr/ALONE-TOGETHER</link>

		<pubDate>Sun, 05 Jul 2020 12:03:28 +0000</pubDate>

		<dc:creator>vincent masson</dc:creator>

		<guid isPermaLink="true">https://vincentvincent.fr/ALONE-TOGETHER</guid>

		<description>JEAN-MICHEL JARRE’S ALONE TOGETHER

&#60;img width="3500" height="2000" width_o="3500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/e1b3cb0d1cc9cea766153658a60bbcee9dcc3a6113b1d2acb3a5951594fdf2f9/Affiche-site_00000.jpg" data-mid="76544993" border="0"  src="https://freight.cargo.site/w/1000/i/e1b3cb0d1cc9cea766153658a60bbcee9dcc3a6113b1d2acb3a5951594fdf2f9/Affiche-site_00000.jpg" /&#62;


VR live experience&#38;nbsp; _Vrchat, Youtube, Facebook, Palais Royal (Paris)_
Creative director: Pierre Friquet
Art director: Vincent Masson
Production: VRrOOm2020


	“The live-streamed was seen by more than 600,000 people split between the
 French Ministry of Culture’s and Jarre’s social networks”.



World premiere.
Live from his studio, French musician Jean-Michel Jarre, via his Avatar,
 performed live in a virtual stage and universe specially designed 
and produced by VRrOOm simultaneously broadcasted and accessible to everyone online via PC in 
video game mode, tablets, and smartphones in 2D mode, or in total 
immersion using any tethered VR headset.


For the occasion, Louis Cacciuttolo has gathered a team of innovative talents such as Pyaré, digital artist, author and director of Jet Lag, Patterns and SPACED OUT, award-winning interactive virtual reality experiences at Sundance or Montreal, and Vincent Masson, creator of graphic universes who signs opulent chromatic and architectural universes, and who created Morphosis and The Tide, among other spectacular works.





A group of startups and technicians expert in their field are 
contributing to this ambitious project, bringing together immersive 
technology specialists like Antony Vitillo, VR developer at consultancy 
agency New Technology Walkers, who is also speaker at major XR conferences and creator of the renowned blog The Ghost Howls, Manifattura italiana design architects Lapo Germasi and Victor Pukhov, Georgiy Molodtsov, producer of virtual reality content&#38;nbsp; and VR film festivals curator, Jean-Baptiste Friquet, a visual explorer, glitch artist and director for the digital live experiences.
Also involved in the project are tech startups such as SoWhen?,
 experiential designers responsible for using the technology to 
transcribe the real performance inside the virtual environment, 
innovation studio Atelier Daruma with the director Mathias Chelebourg,
 who is behind the multi-awarded VR experiences Alice, Jack, and Dr Who 
and worked on Jean-Michel Jarre’s real-time avatar animation stunt, Seekat, who is simultaneously broadcasting across various digital medias, MindOut the LBE VR specialist who will host the VR experience in its 
dedicated locations in Paris, Velizy 2 and Lille, and the social XR 
platform VRChat.





PRESS:
TRAXMAG
https://www.traxmag.com/amp/jean-michel-jarre-en-live-et-en-3d-pour-la-fete-de-la-musique/HUFFINGTON POSThttps://www.huffingtonpost.fr/entry/jean-michel-jarre-revendique-600000-spectateurs-a-son-concert-virtuel_fr_5ef067b2c5b6532b50973e28

KONBINIhttps://www.konbini.com/fr/amp/musique/jean-michel-jarre-live-realite-virtuelle/












	PRESS:
 

CNEWShttps://www.cnews.fr/videos/culture/2020-06-19/fete-de-la-musique-jean-michel-jarre-devoile-son-projet-pour-le-21-juin







LE FIGAROhttps://www.lefigaro.fr/musique/franck-riester-seduit-par-l-avatar-de-jean-michel-jarre-20200620

XRMUSThttps://www.xrmust.com/xrmagazine/jean-michel-jarre-full-vr-live-performance-vrroom/
LE PARISIENhttps://www.leparisien.fr/amp/culture-loisirs/fete-de-la-musique-l-avatar-de-jean-michel-jarre-a-joue-pour-600000-fans-21-06-2020-8339700.php

NUMEROhttps://www.numero.com/fr/musique/jean-michel-jarre-realite-virtuelle-concert-fete-de-la-musique-techno-intelligence-artificielle-numero-magazine#/newsletter

RTBFhttps://www.rtbf.be/vivacite/article/detail_unique-au-monde-jean-michel-jarre-proposera-un-concert-live-en-realite-virtuelle?id=10524997

JOURNAL DU GEEK
https://www.journaldugeek.com/2020/06/21/concert-virtuel-live-jean-michel-jarre-fete-de-la-musique/

WECULTEhttps://www.weculte.com/musique/jean-michel-jarre-en-concert-virtuel-live-pour-la-fete-de-la-musique/

UPLOADVRhttps://uploadvr.com/jean-michel-jarre-vrchat-concert/

SONOVISIONhttps://sonovision.com/jean-michel-jarre-et-vrroom-feteront-la-musique-en-realite-virtuelle-sociale/

RESIDENTADVISORhttps://www.residentadvisor.net/events/1410466





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</description>
		
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	<item>
		<title>MORPHOSIS</title>
				
		<link>https://vincentvincent.fr/MORPHOSIS</link>

		<pubDate>Sat, 31 Aug 2019 11:43:58 +0000</pubDate>

		<dc:creator>vincent masson</dc:creator>

		<guid isPermaLink="true">https://vincentvincent.fr/MORPHOSIS</guid>

		<description>MORPHOSIS


	
VideomappingDuration 13minCathedrale Saint EtienneFestival Constellations, Metz2019



Director: Vincent MassonMusic: Collectif Sin (Guillaume Lantonnet, Gaspar Claus)
Lights: Loic MarrafiniProduction: La Maison ProductionCaptation video: Guig’s timelapse

Morphosis (or morphing) is the visual process that allows the passage from one image to another by modulating it.



It is related to the transformation, or formation, of an organism. 
It is an interaction, a link between two images, a transition of matter and time.



The light, which runs through the cathedral, transforms it throughout the day.
 The windows, which offer him a passage, are the interface of this transformation. They combine the inside and the outside in a game of infinite metamorphoses, they are a meeting place between two spaces. 
They are a membrane at the heart of a story between light, movement, time and narration



This material is an interface between everyday moments, historical events, architectural spaces, narrations.



Morphosis shows the polymorphic character of the building, modulated by its own historical narration.

Just as stained glass, as a narrative material, transforms light, experience reformulates some historical events in contact with the building. It gives them new forms and temporalities. 
Light becomes here a "cultural matter", composed of the historical evolutions of the city of Metz.

The cathedral, this “Lantern of the Good God”, becomes a surface plural of history(ies), metamorphosing to meet them.
 In order to highlight this relationship with the light, which continually sculpts the appearance of the building, the whole experience follows the chromatic evolution of it during the day.



 Morphosis puts these events in friction with the rhythm of the impermanence and the constant change of state, inherent to our current societies. This confrontation shows the Saint-Etienne cathedral as an organic structure made up of multiple histories, in continual transformations and with plural temporalities.



 “Morphosis tackles the bond that unites the light, the surface of the windows and St. Etienne Cathedral, in a game of endless metamorphoses.
Intense visual experience, this creation retains a heritage anchorage
strong, by reproducing in its composition the flagship events of the history of Metz, from the legend of Graoully to the construction of the Center Pompidou.
Morphosis, a vision at the same time organic, mechanical and poetic cultural heritage of the city of Metz.”






	


PRESS:



FUBIZ
http://www.fubiz.net/2019/06/20/amazing-light-installations-in-the-constellations-festival-in-metz/?fbclid=IwAR1kbxFIUpwQ0N5uS8kUIU_kkIn27Ytj-jgdjXMy6cX8sJZ155dEsci3EQM




LE MONDE
https://www.lemonde.fr/culture/article/2019/07/23/metz-brille-sous-les-etoiles-du-festival-constellations_5492542_3246.html



BEAUX ARTS MAGAZINEhttps://www.beauxarts.com/grand-format/10-festivals-dart-dans-la-ville-a-ne-pas-manquer-cet-ete/



JOURNAL DES ARTShttps://www.lejournaldesarts.fr/expositions/son-et-lumiere-arty-sur-metz-145135



NOVO MAGAZINE&#38;nbsp;(p108)
https://issuu.com/media.pop/docs/novo_55



TV5 MONDEhttps://www.youtube.com/watch?v=VZrXiYN57v4



FRANCE 3https://france3-regions.francetvinfo.fr/grand-est/moselle/metz/constellations-2019-metz-jeudi-vendredi-suivez-direct-nos-facebook-live-mapping-fete-musique-1670243.html


FRANCE 2
https://www.france.tv/france-2/telematin/1042247-regions-immersion-numerique-a-metz.html



LE PARISIENhttp://www.leparisien.fr/culture-loisirs/balade-artistique-et-ludique-a-metz-avec-le-festival-constellations-21-06-2019-8099811.php?fbclid=IwAR17yTsFkLjpfWnonX0Akg9YVh0YDi5qX6Nx19eNzYF-NVY6_3UpUCoqveo



LE REPUBLICAIN LORRAIN
https://spark.adobe.com/page/8UPBPAdDQm0G7/


LA SEMAINE METZhttps://www.lasemaine.fr/metz-constellations-cinq-oeuvres-a-voir/
https://www.facebook.com/ConstellationsMetz/photos/rpp.1991591857735786/2527282050833428/?type=3&#38;amp;theater

TELERAMAhttps://www.facebook.com/ConstellationsMetz/photos/a.2000749666820005/2521125421449091/?type=3&#38;amp;theater



FRANCE TV INFOhttps://www.francetvinfo.fr/culture/arts-expos/street-art/constellations-de-metz-2019-les-arts-numeriques-illuminent-la-ville_3503803.html



LE QUOTIDIEN 
https://www.lequotidien.lu/grande-region/metz-deja-plus-de-700-000-visiteurs-a-constellations-un-record/






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	</item>
		
		
	<item>
		<title>MORPHOSES</title>
				
		<link>https://vincentvincent.fr/MORPHOSES</link>

		<pubDate>Mon, 07 Sep 2020 14:26:45 +0000</pubDate>

		<dc:creator>vincent masson</dc:creator>

		<guid isPermaLink="true">https://vincentvincent.fr/MORPHOSES</guid>

		<description>MORPHOSES



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AR Interactive experience
Cathedrale St EtienneFestival Constellations 2020Vincent Masson &#38;amp; Ferdinand Dervieux
Credits photo: Gilles Wirtz


This project is an augmented reality journey taking place in 

Cathedral&#38;nbsp;Saint-Etienne at Metz.

Echoing the theme of the
videomapping

Morphosis, this virtual installation represents the cycle of light
 that transforms the cathedral for a day and highlights the richness of its stained glass windows. 
The digital sculptures are inspired by the design of the different parts of the videomapping, 
as well as fragments of the glass surfaces of the building. 
They highlight the relationship between stained glass and light,
as well as the multiplicity of colors that compose them.
The goal was to create a work in two stages, wich works at night with videomapping Morphosis and during the day with the augmented reality Morphoses.

The installation is made up of six interactive and animated sculptures visible via a mobile phone or digital tablet. The spectators are actors of the experience, by activing these digital sculptures via their phones.
 They can evolve around these sculptures, interact with them and keep a memory of the experience via the appliciation.





	PRESS:
REPUBLICAIN LORRAIN:https://www.republicain-lorrain.fr/culture-loisirs/2020/09/03/faites-apparaitre-six-sculptures-en-3d-a-la-cathedrale

FRANCE TV (17min):https://www.france.tv/france-3/grand-est/19-20-lorraine/1930437-emission-du-jeudi-3-septembre-2020.html

FRANCE BLEU:
https://www.francebleu.fr/emissions/cote-culture-comptez-sur-nous-a-metz-et-thionville/lorraine-nord/morphose-oeuvre-signee-vincent-masson-dans-le-cadre-du-parcours-vitrail-a-metz


METZ:https://metz.fr/agenda/fiche-27175.php

ACTU:https://actu.fr/grand-est/metz_57463/une-application-pour-decouvrir-la-cathedrale-de-metz-comme-vous-ne-l-avez-jamais-vue_35886688.html





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</description>
		
	</item>
		
		
	<item>
		<title>THE TIDE</title>
				
		<link>https://vincentvincent.fr/THE-TIDE</link>

		<pubDate>Mon, 26 Sep 2016 14:33:54 +0000</pubDate>

		<dc:creator>vincent masson</dc:creator>

		<guid isPermaLink="true">https://vincentvincent.fr/THE-TIDE</guid>

		<description>THE TIDE&#38;nbsp;





Immersive video installation
Duration: 3m26sec
Size: 5760 X 1080 pixels

2016






Director: Vincent MassonMusic: Mode-F (The english concert, Simon Standage,Trevor Pinnock_ Vivaldi, Les quatre saisons, l’Hiver_1982)Production: Holymage




« Paradox. As the character goes through, no matter the video game, the landscape is continuously
created. We press the buttons - front, back, left, right - and yet the avatar always remains in the center of the image. It is the landscape alone, which recedes and advances. The
avatar seems to be on the spot. Finally, I do not believe that we can speak of “ on the spot ”, since the place changes.
 It makes “ on the spots ”. And it is by remaining “ on the spot ”, that it moves in different worlds, connected by bridges and coexist within the same game. »
 


The Tide is an imagier. 
It lists the overviews of a single landscape, with its different scales, its different gravites, its different sense of reading. 
It is a matter of confronting contemplation
with these diversities.

The notion of the unique landscape no longer exists: it can only be a plural entity in constant change. 
Our contemplation can no longer attach itself to an object and the overflow
of information dispels our bearings. 
The landscape is no longer made of an image, it is a film being projected for wich we no longer have time to observe . 
It is already gone, It has already changed.Things, as they have been named, have already disappeared.


In these temporal vertigo, we can only, as a spectator, be subjected to this instability.

We cannot create a solid look, a constructed and clear thinking. It is like a delay imposed on us that we can only repeat. 
We can never be in sync, at the right time, in the right place.

There are too many moments and too many places, there is no longer the « right ».


The various scales are quoted simultaneously, evoked by some objects, allegories of the&#38;nbsp; infinitely large - monumental architectures, celestial sceneries, mountainous landscapes, ...- and the infinitely small-microscopic anatomy, ... -. 
We then question the link of the symbol
to the format: is a star always a star if it seems to fit in the palm of our hand?
 Unless it is our
hand that is so great that it can contain a star, and in this case, is it a real hand?


As if to help us, the omnipresence of undefined objects nevertheless preserves the abstraction of the scales, to prevent the viewer to be stuck in pre-established spaces.
We are free to give them any dimension, if there are any dimensions. 
The absence of these
boundaries in turn, questions the conception of space: is it possible to conceive a space, physical or mental, if it has no limits?


Instability spreads, we can only relay an uncertain statement. We will only transmit an unstable message to our peers, who in turn will find themselves lost in this space where
everything is too early, too late, too big, too small.




Exhibitions:

"LES BAINS NUMERIQUES_ 10eme BIENNALE INTERNATIONALE D'ARTS NUMERIQUES", Compétition Human Future, Enghien-les-Bains, France (2018).

"FILE_ELECTRONIC LANGUAGE INTERNATIONAL FESTIVAL", SESI Gallery of Art, Sao Paulo, Brazil (2018).

"SIGGRAPH ASIA 2017_Computer animation festival ", Bangkok, Thailand (2017).

"ATHENS DIGITAL ART FESTIVAL_POSTFUTURE", Athens, Greece (2017).
"MUSEUM OF CONTEMPORY ART / Animation Goes MSU", projection on the Contempory Art museum of Zagreb, Croatia (2017).


"SURFACES 2.0", UCF art galery, Orlando, USA (2017).



"L'HIVER CHAUD", Le Wonder, St Ouen, France (2016).


Festivals:







"BACKUP FESTIVAL", Weimar, Germany (2017).

"FESTIVAL DU CINEMA EUROPEEN", Lille, France (2018).


"LOCOMOCION / Experimental Animation Festival", Mexico City, Mexico (2018).




"MELBOURNE INTERNATIONAL ANIMATION FESTIVAL", Melbourne, Australia (2018).
"AUSTRALIAN INTERNATIONAL ANIMATION FESTIVAL", Wagga Wagga, Australia (2018).
"S.T. ANIMATION FESTIVAL", Media fasade, Sibenic, Croatia (2017).
“O.W.A.F", The Alternative Gallery, Allentown, USA (2017).






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		<title>SXSW ONLINE XR</title>
				
		<link>https://vincentvincent.fr/SXSW-ONLINE-XR</link>

		<pubDate>Mon, 08 Mar 2021 17:54:50 +0000</pubDate>

		<dc:creator>vincent masson</dc:creator>

		<guid isPermaLink="true">https://vincentvincent.fr/SXSW-ONLINE-XR</guid>

		<description>SXSW ONLINE XR

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Immersive environment
SXSW XR 2021
Art Direction: Vincent Masson

Head developpers: Antony VitilloDeveloppers: 
Lapo Germasi, Viktor PukhovProduction: VRrOOm2021




 



	


“SXSW really wanted to create a space in the virtual world that brought Austin to life in a spectacular way,” said Blake Kammerdiener, XR and Film Programmer. “So we came together with Louis Cacciuttolo and his company VRrOOm, whose recent work includes Welcome to The Other Side with Jean-Michel Jarre, and artist Vincent Masson to create this 
fantastical virtual space that honors Austin, and a few of the venues 
that we are gutted to not be using this year.

Attendees can come together, explore these worlds, and watch content 
created specifically for the VR world and from the greater SXSW Online 
video channels,” Kammerdiener continued. “Stop by the Paramount Theatre 
to snap a picture on the red carpet with your friends 
or head on over to the Red River Cultural District for a party. Be sure 
to find virtual Theon Cross rocking his tuba or stop by the 
Contemporay’s rooftop bar to catch a live session.”




(text SXSW website)


PRESS:

VANITY FAIRhttps://www.vanityfair.com/hollywood/2021/03/ax-throwing-go-kart-racing-and-party-hopping-at-a-virtual-sxsw




XRMUSThttps://www.xrmust.com/xrmagazine/sxsw-online-xr-agenda/

















	PRESS:






VRFINALhttps://www.vrfinal.com/vrchat-will-host-sxsw-online-xr-next-week/




VRFOCUShttps://www.vrfocus.com/2021/03/sxsw-online-xr-takes-place-in-vrchat-next-week/



THE AUSTIN CHRONICLEhttps://www.austinchronicle.com/daily/sxsw/2021-03-02/sxsw-creates-xr-austin-for-online-festival/

OFFBEAThttps://www.offbeat.com/news/sxsw-virtual-highlights-include-360-videos/
URBANIZE AUSTINhttps://urbanize.city/austin/post/sxsw-2021-virtual-online-XR



VRROOMhttps://www.vrroom.buzz/vr-news/social-xr/sxsw-unveils-virtual-austin-world-created-vrroom






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